Grab a look behind-the-scenes of the art on stage and those that make it, from Everyman to the theatre community at large.
September 12, 2016
Tim Smith from the Baltimore Sun writes, "Like any thriller, the play requires surprise. As can be gleaned from the title, it also calls for darkness. It's not too much of a spoiler to note that the terrified Susan eventually uses her disability to her advantage, forcing any would-be tormentor to experience her sightless world — and, for good measure, forcing the audience to do so, too"
March 19, 2015
Jen Silverman talks about how two-hander plays are harder to write than you think, as well as her worst roommate experience.