Audition Dates: Monday, April 13, and Friday, April 17, 2026
EQUITY PRINCIPAL AUDITION
- Date: Monday, April 13, 2026
- Times: 9:30 a.m.-1:00 p.m. and 2:00-5:30 p.m. *Sign-ups begin at 8:30 a.m.
- Location: Everyman Theatre
315 West Fayette Street
Baltimore, MD 21201 - Preparation: Please prepare one monologue or two brief contrasting monologues to total approximately 2 minutes. There are no musicals in the season; no singing, please. Each actor must bring one 8×10 headshot with a resume attached to the back of the photo.
NON-EQUITY AUDITIONS
- Date: Friday, April 17, 2026
- Times: 9:30 a.m.-1:00 p.m. and 2:00-5:30 p.m. *Sign-ups begin at 8:30 a.m.
- Location: Everyman Theatre
315 West Fayette Street
Baltimore, MD 21201 - Preparation: Actors will be allotted two minutes to present one monologue or two contrasting monologues. NO SINGING PLEASE; there are no musicals in our upcoming season. Each actor must bring one 8″x 10″ headshot with a resume attached to the back of the photo.
Everyman embraces identity conscious casting with an intentional eye on gender non binary, diversity, and ability-conscious casting. We believe in fair pay for all guest artists and will continue our transparent practice of compensating for additional commitments as these events occur. We aspire to become an artistic home that is multicultural in representation and centered on anti-racist and anti-oppression practices. Read more Read more about our commitment on our Everyman CARES page.Production dates, titles, and character descriptions below.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: EPA
2026/2027 SEASON BREAKDOWN
KIM’S CONVENIENCE
Written by Ins Choi
Director: cara hinh
Co-Production with Indiana Repertory Theatre and Portland Center Stage
SCHEDULE
Everyman Theatre:
First Rehearsal: 8 / 4 / 2026
Opening: 9 / 4 / 2026
Closing: 9 / 27 / 2026
Indiana Repertory Theatre:
First Rehearsal: 10 / 13 / 2026
Opening: 10 / 23 / 2026
Closing: 11 / 15 / 2026
Portland Center Stage:
First Rehearsal: 1 / 7 / 2027
Opening: 1 / 17 / 2027
Closing: 2 / 7 / 2027
SYNOPSIS
An ode to generations of immigrants who have made Canada the country that it is. With new luxury buildings going up around the convenience store and a Walmart preparing to move in, pressure is on to sell the Kim’s family-run Korean variety store. Mr. Kim’s immigrant path towards building a life for his family in Canada is put under strain when a realtor makes a generous offer for the land. Questions of legacy and culture clash with economic concerns in this laugh-worthy, touching play about family and the relationship between one generation and the next.
SEEKING
- Janet (Female presenting – Asian – 30): 2nd-generation Korean-Canadian woman. Daughter of Appa and Umma, she is artistic and rebellious while staying committed to family.
- Jung (Female presenting – Asian – 30s): 2nd-generation Korean-Canadian man. Son of Appa and Umma, he is the troubled but independent son, looking to rekindle relationships. Speaks Korean.
- Rich / Mr. Lee / Mike / Alex (Male presenting – Black – 30s): One actor to play all of these characters. Rich – a young man; Mr. Lee – a successful real estate agent and friend of Appa; Mike – a man with a thick Jamaican accent; Alex – a police officer and childhood friend of Jung and Janet.
CASTING NOTE
NOTE: The following roles are CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Umma (Female presenting – Asian – 50s): 1st generation Korean-Canadian woman. Married to Appa. Traditional, kind. Speaks Korean, learned English in Canada.
- Appa (Male presenting – Asian – 50s): 1st generation Korean-Canadian man. The owner of Kim’s Convenience Store. Attached to tradition, slightly stubborn, has a temper. Speaks Korean, learned English in Canada.
DIFFERENT WORDS FOR HAPPINESS
Written by Katie Kleiger
Director: Laura Kepley
SCHEDULE
First Rehearsal: 9 / 22 / 2026
Opening: 10 / 23 / 2026
Closing: 11 / 15 / 2026
SYNOPSIS
A fresh take on what it means to confront one’s past and redefine personal happiness. When a late-night call arrives from an ex, Ava’s world is thrust into emotional turmoil. As Ava attempts to regain control and confront the ghosts of her past, she meets Eleanor, a middle-aged doctor facing a midlife crisis and living a life of unfulfilled dreams. Ava and Eleanor’s lives become inexorably intertwined as they grapple with blame, forgiveness, and what types of happiness they allow themselves to feel.
SEEKING
NOTE: The following roles ARE CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Eleanor (Female presenting – 40-45): An OB/GYN, she is hyper professional and straightforward but not cold. She is pregnant and extremely lonely.
- Nathan (Male presenting – 35-45): He is slightly naive, sincere, self-flagellating (but not one-dimensional), and extremely lonely.
THE MIRROR CRACK’D
Written by Agatha Christie
Adapted by Rachel Wagstaff
Director: Brandon Weinbrenner
SCHEDULE
First Rehearsal: 11 / 3 / 2026
Opening: 12 / 4 / 2026
Closing: 12 / 30 / 2026
SYNOPSIS
In 1960s England, a wind of change is blowing through the land. It has even reached the sleepy village of St Mary Mead. There’s a new housing estate to make the villagers curious and fearful, and now the village has been thrown into a frenzy by the news that a glamorous American film star has bought the Manor House. Miss Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy, and danger. This adaptation of Agatha Christie’s famous novel brings real emotional depth and psychological insight to a thrilling story of revenge and dark secrets.
SEEKING
- Cyril Leigh (Male presenting– 40s): Heather’s gentle and rather hen-pecked husband.
CASTING NOTE
NOTE: The following roles ARE CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Miss Jane Marple (Female presenting – 65-80): The astute and observant amateur detective, known for her shrewd understanding of human nature. She is sharp, with a keen eye for detail.
- Dolly Bantry (Female presenting – 60s): A friend of Miss Marple and the former owner of Gossington Hall, where the murder occurs. She is a source of all the local gossip.
- Marina Gregg (Female presenting – 45-55): A famous American movie star, glamorous yet troubled. She is dealing with personal and emotional struggles.
- Heather Leigh (Female presenting – 40s): An enthusiastic fan of Marina Gregg, she is full of energy and somewhat oblivious to the impact of her words.
- Ella Zelinsky (Female presenting – 30-50): The efficient personal assistant, sharp and ambitious.
- Lola Brewster (Female presenting – 20s): A young American film actress with her own dark past.
- Cherry Baker (Female presenting – 20s): Miss Marple’s enthusiastic, well-meaning, absent-minded help.
Jason Rudd (Male presenting– 50s): Marina’s devoted and protective husband and film director. American.
Giuseppe Renzo (Male presenting– 50s): Marina’s Italian butler, very protective of her and knows all her secrets.
Chief Inspector Craddock (Male presenting– 35-45): A classic ‘Christie’ police officer, slightly inept and misses clues.
THE MOUNTAINTOP
Written by John Pielmeier
Director: TBD
SCHEDULE
First Rehearsal: 1 / 5 / 2027
Opening: 2 / 5 / 2027
Closing: 2 / 28 / 2027
SYNOPSIS
An intimate look into the quieter moments of King’s life, The Mountaintop chips away at the myth of the great man to expose his fears about his family, his country and the ever-looming threat of a violent death. Set during the height of America’s Civil Rights Movement, Katori Hall’s sharp and powerful play confronts the legend and his legacy. Are we really free or do we live in a world of false liberation?
CASTING NOTES
NOTE: The following roles ARE CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Camae (Female presenting – Black – 25-45): A mysterious and beautiful maid who captures King’s attention. Seemingly having just started working at the Lorraine Hotel, she is flirtatious and opinionated.
- Dr. Martin Luther King, Jr. (Male presenting – Black – 39): After giving a speech to a group of striking sanitation workers at a church in Memphis, he retires to his hotel room for the night.
AGNES OF GOD
Written by John Pielmeier
Director: TBD
SCHEDULE
First Rehearsal: 3 / 2 / 2027
Opening: 4 / 2 / 2027
Closing: 4 / 25 / 2027
SYNOPSIS
Summoned to a convent, Dr. Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a novice accused of murdering her newborn. Miriam Ruth, the Mother Superior, determinedly keeps young Agnes from the doctor, further arousing Livingstone’s suspicions. Who killed the infant, and who fathered the tiny victim? Livingstone’s questions force all three women to re-examine the meaning of faith and the power of love, leading to a dramatic, compelling climax.
CASTING NOTES
NOTE: The following roles ARE CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Mother Miriam Ruth (Female presenting – 60s): The Reverend Mother of the convent, she is very protective of Agnes. Before becoming a nun, Miriam was unhappily married with two daughters.
- Dr. Martha Livingstone (Female presenting – 40s): An intelligent and determined psychiatrist, she is appointed by a court to evaluate themental sanity of a novice nun accused of killing her newborn baby. She must determine if the act was intentional murder or a result of insanity.
- Agnes (Female presenting – 20s): A novice nun in her twenties, Agnes claims to have no knowledge of the baby, and then later claims it was a virgin birth, and the baby comes from God. She has an outward innocence and simplicity, but below the surface, she is plagued by childhood abuse.
ROPE
Written by Patrick Hamilton
Adapted by Jeffrey Hatcher
Director: Noah Himmelstein
SCHEDULE
First Rehearsal: 4 / 21 / 2026
Opening: 5 / 22 / 2026
Closing: 6 / 14 / 2026
SYNOPSIS
A murder has been committed, and the two killers host a dinner party in the very room where the victim’s body is hidden. Drunk on arrogance, they claim it is the “perfect murder” and believe getting caught is impossible. But tension builds as cracks begin to appear and audiences are whisked from one moment of suspense to the next. Are the murderers’ slips unconscious or something more sinister? This thrilling show will captivate anyone who has ever been tempted to get away with something.
SEEKING
- Kenneth (Male presenting – 20s-30s): A handsome young man of bracing normalcy.
Casting Note
NOTE: The following roles ARE CAST with Resident Acting Company. Performers will be considered as possible replacements should any become necessary:
- Meriel (Female presenting – 20s-30s): One of the Bright Young Things, pretending to be shallower than she is.
- Mr. Kentley (Male presenting – 60s): Rich, conservative, cultured, kind.
- Rupert Cadell (Male presenting – 40s-50s): A Byronic ruin. Brilliant, dry, wry, caustic, and very entertaining. He lost most of one leg in The Great War. Now he walks with a limp. He uses a cane.
- Brandon (Male presenting – 20s-30s): Fine-featured, smart, cultured, expensively dressed. Cool, self-satisfied, amused, confident.
- Lewis (Male presenting – 20s-30s): Brandon’s junior partner. Also expensively dressed. Good looking, polite. He is the less confident specimen.
WORKING AT EVERYMAN
Everyman Theatre is committed to seeking and sustaining a culturally and ethnically diverse environment and to the principles that promote inclusive practices. Individuals from populations underrepresented in the theatre field, are strongly encouraged to apply. Everyman Theatre is an equal opportunity employer.
For additional opportunities, please visit our careers + opportunities page.